"Give me the child, or—" As he spoke the door was thrown open, and Mrs. One realized indeed then where the differences lay; the tender curves about Anna’s mouth transformed into hard sharp lines in Annabel’s, the eyes of one, truthful and frank, the other’s more beautiful but with less expression—windows lit with dazzling light, but through which one saw—nothing. What does it matter? It is here, and it is here to stay. “Go to the far corner,” he said, “and sing the last verse of Les Petites.
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