She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. Not even, it seemed, this interfering monsieur le major. But the whole set of some three or four shelves were of wood. Then Sheila noticed the stains. “I wish,” she said, “that you would leave off looking at me as though I were something grisly. She recognized the face but could not quite place it. On this side stood the instruments with which the latter piece of pleasantry had been effected,—namely, a bucket filled with paint and a brush: on that was erected a trophy, consisting of a watchman's rattle, a laced hat, with the crown knocked out, and its place supplied by a lantern, a campaign wig saturated with punch, a torn steen-kirk and ruffles, some halfdozen staves, and a broken sword. The picture in her mind altered and she saw again the way Gerald had looked with consternation upon the bruises he had inflicted on her wrist.
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