It was a bright and beautiful day: so bright, so beautiful, that even her sad heart was cheered by it. Every house-top, every window, every wall, every projection, had its occupants. Buried under various ancestral sixteenths, smothered under modern thought, liberty of action and bewildering variety of flesh-pots, it was still alive to the extent that it needed only his present state to resuscitate it in all its peculiar force. It was high afternoon, there was no great throng of footpassengers, and many an eye from omnibus and pavement rested gratefully on her fresh, trim presence as she passed young and erect, with the light of determination shining through the quiet self-possession of her face. But I am here. Constance Widgett’s abundant copper-red hair was bent down over some dimly remunerative work—stencilling in colors upon rough, white material—at a kitchen table she had dragged up-stairs for the purpose, while on her bed there was seated a slender lady of thirty or so in a dingy green dress, whom Constance had introduced with a wave of her hand as Miss Miniver. ” The lights sank, the prelude to the third act was beginning, the music rose and fell in crowded intimations of lovers separated—lovers separated with scars and memories between them, and the curtain went reefing up to display Tristan lying wounded on his couch and the shepherd crouching with his pipe.
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