Hers was beauty on a large scale no doubt; but it was beauty, nevertheless: and the carpenter thought her eyes as bright, her complexion as blooming, and her figure (if a little more buxom) quite as captivating as when he led her to the altar some twenty years ago. It was John Diedermayer, who had been transformed into a young scholar with a large pair of wire-rimmed eyeglasses on. On the mantelpiece in front of her was a note addressed to her in Annabel’s handwriting. If they had any idea the concerts he had seen, they would have known the quality of her playing. Ann Veronica’s appearance was brief and undistinguished.
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