He would sit in his inner office and compose conversations with her, penetrating, illuminating, and nearly conclusive—conversations that never proved to be of the slightest use at all with her when he met her face to face. Her head swam. Time after time he reminded her of how powerless she would be without him, how unkind the world was towards single women. "He's dead," exclaimed Austin. I can save you, and will. And like that gospel it meant something, something different from its phrases, something elusive, and yet something that in spite of the superficial incoherence of its phrasing, was largely essentially true.
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