‘You did not find Gosse, that is seen, but—’ ‘Gosse? Gosse? Who’s this here Gosse then?’ ‘He is the Frenchman of whom I told you. They don’t catch on to discursive interests, you see, because they are more serious, they are concentrated on the central reality of life, and a little impatient of its—its outer aspects. He played for an hour—Grieg, Chopin, Rubenstein, Liszt, crashing music. “It’s jolly,” he said, “to feel you have come to me.
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