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‘Get out! Out, I say! Think I want another miserable cowardly good-for-nothing wastrel on my hands? Begone! Out of my house!’ He drove them to the door, grimly satisfied when the girl’s nerve broke. In fiction you make the Chinese secretive, criminal, and terrible—or comic. . . A queer game this: he could not move directly as in an ordinary case of manhunt. No matter what happened, whether the road smoothed out or became still rougher, he would always be carrying this secret with him; and each time he recalled it, the rack.
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