CHAPTER THE SECOND ANN VERONICA GATHERS POINTS OF VIEW Part 1 “Are you coming to the Fadden Dance, Ann Veronica?” asked Constance Widgett. We haven’t. It begins with that queer piccolo solo. Standing on tiptoe, on a joint-stool, placed upon the bench, with his back to the door, and a clasp-knife in his hand, this youngster, instead of executing his appointed task, was occupied in carving his name upon a beam, overhead. Never had he been so intrigued. The copyright laws of the place where you are located also govern what you can do with this work. As for the patient, his decision was immediate.
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